A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

1st issue of the art magazine published by M19, gathering works, articles, documents, and lists, featururing 42 artists, curators, art historians, critics, choreographers, musicians, plus one chef.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

An interview with Jean-Christophe Ammann.

Caroline Bachmann and Stefan Banz have designed a photographic and pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by “making emotions visible”.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

Monograph (available in English edition).

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

First issue of the art history magazine published by the Mamco, Geneva.

A sharp summary of contemporary art since Marcel Duchamp.

Kylie Minogue, Jasper Johns, Marcel Duchamp, Mario Merz, Damien Hirst, Jesper Just, Jeff Koons, Dominique Gonzalez-Foerster, Pierre Joseph, Guy de Cointet, François Curlet, Lothar Hempel, Yann Serandour, Philippe Decrauzat, Valentin Carron, Gilbert & George, John Armleder, Thomas Hirschhorn...

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

First monograph.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

A new approach of Duchamp's keywords.

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

This small book accompanies the video Belles Rives (2001), with a selection of screen shots.

A complete panorama of the astonishing personality of the unknown writer, grammarian, cosmologist and inventor.

27 interviews with Bertrand Lavier.

Unpublished text, signed original artwork, unique for each copy

Ron Arad has held a position of reference in the world of design since the 1980's. Coming from a sculptural tradition, his work, questioning both aesthetics and modes of production, has transformed the perceptions of professional designers (comprehensive monograph).

Ron Arad has held a position of reference in the world of design since the 1980's. Coming from a sculptural tradition, his work, questioning both aesthetics and modes of production, has transformed the perceptions of professional designers (comprehensive monograph).